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Octavia
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Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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 Raymonda
Choreography: MARIUS PETIPA
Music: ALEXANDER GLAZUNOV
Libretto: Ivan Vsevolozhsky and Lidiya Pashkova
Original cast
Raymonda - Pierina Legnani
Jean de Brienne - Sergei Legat
Abderakhman - Pavel Gerdt
World Premiere: Mariinsky Theatre, St. Petersburg, Russia. 19 January, 1898
Conductor: Riccardo Drigo
Designers: O. Allegri, K. Ivanov, Pyotr Lambin
Последний раз редактировалось Octavia 21 янв 2017, 22:56, всего редактировалось 3 раз(а).
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| 07 фев 2016, 19:43 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Raymonda
Dramatis Personae
Raymonda, young French noblewoman
Irina Kolpakova. Mariinsky, St. Petersburg
Jean de Brienne, French knight and Raymonda's fiance
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.........Nikolai Tsiskaridze. Bolshoi, Moscow.
Abderakhman, Saracen knight
Countess Sybille, Grand lady of the castle and Raymonda's aunt
Martine van Hamel. ABT.
Henrietta, Raymonda's companion
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.........Olga Preobrazhenskaya, Mariinsky.
Clémence, another Raymonda's companion
Kristina Shapran, Mariinsky.
King Andre II of Hungary, who leads the crusade and for whom Jean de Brienne fights.
Latvian National Opera and Ballet.
Последний раз редактировалось Octavia 28 фев 2016, 05:52, всего редактировалось 1 раз.
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| 07 фев 2016, 20:32 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Raymonda
Act I. Land of Dreams
Jean de Brienne arrives to the castle to say good-bye to his beloved Raymonda. He is joining King of Hungary, Andrei II who leads the crusade to the holy land.
Olesya Novikova. La Scala.
Nightfall. Raymonda is carried away to the mystical kingdom of dreams where she is reunited with Jean de Brienne.
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.....Oksana Skorik & Andrey Ermakov. Mariinsky.
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Suddenly the image of her beloved is replaced by that of an Eastern warrior, who proclaims his love for Raymonda.
Raymonda is convinced that the dream is a sign of things to come.
...............
...............Svetlana Zakharova. Bolshoi.
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| 15 фев 2016, 00:06 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Raymonda
Act II. Combat
The Dayrice castle. Many guests arrive to take part in festivities.
San Francisco Ballet.
Among the guests is Abderakhman with his suite. Raymonda immediately recognizes the strange man from her dream.
Bolshoi.
Abderakhman is enchanted by Raymonda's beauty and offers her hand in marriage.
Mariinsky.
Raymonda rejects Abderakhman.
La Scala.
Abderakhman tries to kidnap her.
Mariinsky.
At that hour king Andrei of Hungary returns from the crusade in victory. Among the returning nights is Jeanne de Brienne.
Bolshoi.
Jeanne de Brienne challenges Abderakhman to a duel, in which he prevails.
....................
Raymonda is saved and the lovers are re-united.
La Scala.
ROH.
Последний раз редактировалось Octavia 05 мар 2016, 21:17, всего редактировалось 2 раз(а).
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| 16 фев 2016, 22:07 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Re: Raymonda
Act III. The Wedding
Raymonda's and Jean's wedding day. In honor of Andrei II of Hungary, the guests perform Hungarian dances.
Is that all?
Yes, as far as the plot is concerned. But then there is Petipa's ingenious choreography and that's exactly what makes classical ballet so very attractive to us, inhabitants of the third millennium, well over a century after the great choreographer took his last repose at the Alexander Nevsky Monastery in St. Petersburg, Russia.
Последний раз редактировалось Octavia 06 мар 2016, 03:23, всего редактировалось 1 раз.
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| 20 фев 2016, 20:01 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Polyphony in Raymonda
I always wondered what exactly sets music of JS Bach apart from that of any other composer? Somehow it’s richer, fuller, more complex if you will. Take any of his concerti or suites - you can listen to it hundreds of times and still hear something new.
Later, in my Music Appreciation course 101 I discovered that there is a name for this "something" - polyphony. Just like music of Bach, Petipa’s choreography is polyphonic. And right away comes to mind his sublime Kingdom of the Shades where corps-de-ballet not merely serves as a background and not just dances in unison (that would be monophony), but has its own separate tune, similar yet different, sometimes couple of choreographic “notes” higher, sometimes lower, sometimes falling a step behind, and sometimes rushing it forward, and at times it moves to a new direction all together.
In Raymonda's Hungarian Grand pas de deux, Petipa takes this form to a new level. I watch in awe... sheer mathematical brilliance of his choreographic thought, both serene and vibrating with genuine passion. Behold Grand Pas parade:
Mariinsky
La Scala
Bolshoi
Mariinsky circa 1976 - SUPER!
Последний раз редактировалось Octavia 08 апр 2016, 21:15, всего редактировалось 1 раз.
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| 27 фев 2016, 00:58 |
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Olga K
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Зарегистрирован: 04 фев 2009, 22:11
Сообщения: 5057
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Re: Raymonda Октавия, продолжайте...
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| 01 мар 2016, 00:29 |
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Octavia
Завсегдатай
Зарегистрирован: 30 ноя 2004, 19:19
Сообщения: 8408
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Exhibition of M. Petipa's artifacts at the Vaganova Academy
This silver framed mirror belonged to Marius Petipa
Marius Ivanovich Petipa
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| 19 мар 2016, 23:21 |
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